iZotope FXEQ

iZotope FXEQ Quick Look – Creative EQ Plugin That Transforms Your Mixes

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by

Greg Kocis
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As a music producer always on the hunt for tools that streamline my workflow and spark creativity, I was thrilled to dive into iZotope’s latest offering: FXEQ. This isn’t your standard equalizer; it’s an innovative plugin that lets you “paint” effects directly onto specific frequencies in your mix. Imagine adding saturation for warmth, lo-fi textures for vintage vibes, or modulation effects like chorus and flanger—all through an intuitive EQ interface. In this review, I’ll break down what makes FXEQ a game-changer for producers, sound designers, and mix engineers. Plus, I’ve included a demo video below to show it in action.

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What is iZotope FXEQ?

FXEQ is described as “the EQ that paints effects,” and that tagline perfectly captures its essence. Developed by iZotope, a leader in audio processing software, this plugin combines a multi-band EQ with a suite of creative effects. Instead of juggling multiple plugins or setting up complex routing with buses and sends, FXEQ allows you to apply effects precisely where you need them—on individual frequency bands.

At its core, FXEQ features five powerful modules: Saturation, Texture (lo-fi), Modulation (including chorus, flanger, phaser, and doubler), Reverb, and Delay. Each module comes with its own 6-band EQ, letting you target highs for shimmering reverb, mids for gritty saturation, or lows for beefy drive. This targeted approach means you can electrify your sound without muddying the overall mix. Whether you’re working on beefy bass lines, crunchy drums, washed-out synths, or atmospheric vocals, FXEQ infuses creative flair effortlessly.

I first encountered FXEQ while experimenting with ways to add dimension to my tracks without overcomplicating my DAW setup. Traditional multi-effects units often require intricate signal paths, but FXEQ simplifies everything into one plugin. It’s compatible with major DAWs like Ableton Live, Logic Pro, FL Studio, Pro Tools, and more, supporting AAX, AU, and VST3 formats on both Mac (macOS Ventura, Sonoma, Sequoia) and Windows (10 and 11). As someone who switches between Intel and Apple Silicon Macs, I appreciate the native and Rosetta compatibility.

The Innovative Workflow: Painting Like M-EQ-angelo

One of the standout aspects of FXEQ is its workflow, which iZotope playfully calls “Paint like M-EQ-angelo.” Rather than applying effects globally, you use each module’s 6-band EQ to “paint” tone and texture onto your audio. Each band offers four versatile filter shapes—bell, high-shelf, low-shelf, and tilt—with adjustable Q for precise control.

This setup encourages experimentation. For instance, I might boost the low end on a bass track and apply saturation only to those frequencies for added weight and punch, without affecting the highs. The interface is intuitive, with easy-to-use controls that let you dial in results quickly. Forget about typical multi-effects chains; this is a fresh way to sculpt sound.

In my tests, the random preset picker was a lifesaver. With over 50 pro presets, I could hit the random button to find a starting point, then tweak to fit my track. There’s also a zero-latency limiter on the output to prevent clipping, ensuring your mix stays clean even during heavy processing. If I want to use it as a send effect, the “FX Only” mode removes the dry signal, allowing for further fine-tuning.

Diving into the Effects: Saturation, Texture, and More

Let’s get into the meat of FXEQ—the effects themselves. Starting with Saturation: This module offers eight modes, ranging from subtle warmth to screaming distortion. I love using it on drums for that extra fizz and bite, or on keyboards and vocals for analog flavor. It’s perfect for giving tracks punch and character without needing a separate saturator plugin.

Next up is Texture, which brings lo-fi vintage vibes with four unique modes. Think bit-crushing for chaos or tape emulation for crisp, retro sounds. I’ve found it invaluable for adding grit to synths or creating that nostalgic feel on guitars. The ability to apply these textures frequency-specifically means I can degrade highs for a worn-out effect while keeping lows intact.

The Modulation module is where things get lively. It includes lush chorus for depth, swirling flanger for movement, psychedelic phaser for trippy layers, and a rich doubler for stereo width. I often use chorus on pads to create ethereal atmospheres or phaser on leads for psychedelic flair. Combined with the EQ, it’s easy to modulate only the frequencies that need movement, avoiding phase issues in the mix.

Reverb and Delay round out the package. The Reverb module has three types to create space exactly where you want it—say, adding hall reverb to mids for vocal depth without washing out the entire track. Delay offers four types for rhythmic excitement and stereo intrigue, ideal for echoing synths or adding dimension to percussion.

What ties it all together is the ability to combine and automate these effects. I can warp a sound into something entirely new by automating the EQ bands or effect parameters, turning a simple loop into a dynamic evolving texture.

How FXEQ Fits into My Music Production Workflow

In my daily productions, efficiency is key, and FXEQ shines here. For electronic music, I use it to add drive to bass without mud, or texture to hi-hats for lo-fi charm. In rock mixes, saturation on guitars provides that crunchy edge, while modulation brings guitars to life with flanger sweeps.

One of my favorite uses is on vocals: Apply subtle reverb to highs for airiness, delay to mids for echoes, and saturation to lows for warmth—all in one plugin. This saves CPU and keeps my project organized. The plugin’s low latency makes it great for live tweaking during sessions.

Of course, no tool is perfect. While FXEQ is versatile, it might not replace dedicated high-end reverbs or delays for ultra-realistic spaces. But for creative, frequency-targeted effects, it’s unmatched. System requirements are straightforward, but note that VST2 is no longer supported—stick to modern formats.

To see FXEQ in action, check out the video below where I demonstrate its features on real tracks. From loading presets to automating effects, it shows how this plugin can elevate your productions.

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Final Thoughts: Is FXEQ Worth It?

After spending time with FXEQ, I can confidently say it’s a must-have for anyone looking to infuse creativity into their mixes without complexity. It unlocks the “color” in your sound, making it easier to achieve professional results. Priced competitively (check current deals), it’s a smart addition to any producer’s toolkit.

In summary, iZotope FXEQ redefines what an EQ can do, blending effects and equalization into a powerful, user-friendly package. Whether you’re a beginner or pro, it will inspire new ideas and streamline your process. Give it a spin and watch your tracks come alive.

If you’re ready to try it, grab FXEQ from Plugin Boutique or the official iZotope page. Links below:

The links to “Plugin Boutique” are affiliate links, and I will make a small commission if you choose to purchase through my links. Thank you in advance. Furthermore, I only recommend products that I use or that I think my subscribers would like and benefit from.

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